Wednesday, October 3, 2012

Feed My Frankenstein






As you may have noticed reading the blog or poking around on my Facebook page ( and most assuredly if you know me in the flesh so-to-speak), I'm someone who enjoys the darker things in life. Be it music, movies, art, clothes,  what have you, I enjoy those diversions both superficial and serious which represent a certain aesthetic; a mood, a feeling, which says "hello death, sadness, morbidity, delirium, horror, fear, discomfort, evil, darkness, insanity. I welcome you and all your vast ilk to my table. Yes, I know you exist. I've always known. As a child I watched you do battle with your opposites in your endless game of king of the mountain, always vying for supremacy and prestige. And when the time came to 'put away childish things', I knew you were not among them, only that my child-mind perceived you that way. I know, some of my human kin choose to block you out, unsettled by the possibility of even one minute dark tendril sniffing 'round their door. Others still choose to be indifferent. I myself choose embrace, as with any primal, unchanging elemental force for which ignorance and indifference changes nothing. So come. Come inside and join my tea party. I've set out places for each of you. Now then, let's have a toast." There are more words written about the psychology of someone preoccupied with death and darkness than I care to think about. Some might say this is where I fall but I completely disagree. I celebrate life, I celebrate joy, I celebrate good feelings and happiness, love and other euphoric experiences, and the positive of the world we live in. I didn't always, and with time and maturity to soften my perspective, I'm still attracted to the darkness, but it "preoccupies" me only as much as every other thing preoccupies me, which is to say everything is a balance. Still, I do look good in black...

Where am I going with all of this? Didn't I just say in my last post I wasn't going to keep getting all serious? Well, dear readers, fear not. This isn't going where you think. Or maybe it is. This is a post about Halloween.

There's nothing more magical or delightful in terms of holidays than Halloween. For my money,  there's no holiday that brings more fun and good times with as much sexy swagger than this most special time of year. And it is a special time of year. Not a day, or even a week. When October rolls around, there's just one thing on the minds of kids and adults alike, Halloween. Some deride it, mainly parents who stopped finding it an exciting time of year long ago and now only find it annoying; or Jehova's Witnesses. Many ignore it, usually the older among us whose inner child (or young adult, or 20-something adult) was suffocated somewhere around the time they stopped learning to smile and enjoy life. But for me, and legions like me, this is a favorite time of year. Sure, Thanksgiving and Christmas, even Easter, are lovely, for spending time with the family, for being thankful, for bringing joy. But this time of year is for the imp, the demon, the devil. The one that resides inside all year waiting patiently for a turn. Those cliche'd memories you have of sitting, staring out the window at a snow world full of your friends playing, parents chatting while they watch, the entire world outside having the best day ever while you sit inside with your schoolwork/fever/broken arm/...that's exactly how that little devil feels almost every day of the year until now. (Unless you're one of those people who finds ways to let him or her out as much as possible, or maybe on weekends; probably dressed in leather or something in a dungeon somewhere. Then you can ignore the context and just enjoy the writing :-) ) Who in their right mind, as straight or curvy as it may be, doesn't feel a little gleeful smile come when they think of those tokens of mind and memory that define Halloween for us? Maybe it's the yearly viewing of "It's the Great Pumpkin Charlie Brown" (a life-long affair for me), perhaps memories of your first viewing of that classic slasher named for this holiday, or another horror film. Perhaps some spooky and delicious haunted house you visited. But whatever your personal memories, we ALL have those memories at the center of the joy equated (at some point in our life at least) with Halloween, trick or treating. Our favorite costumes, the candy we loved most (and hated most), the sadist fervor with which our parents would lay down the iron-fisted "fine, let's look at what you got, and then you can have 1 or 2 pieces. But only 1 or 2! I'm serious!"  These memories hold so much meaning, for myself, and so many others, that they seared a love of this celebration into our collective consciousness, one that has only grown over the years to be the consuming adult version of the joy I felt as a child. Now I realize that everyone's not a clone. There are those whose childhoods were a Halloween-free universe. Now for some of these, that's perfectly fine and understandable. Culture or location, for instance, are perfectly acceptable reasons one might not be taken trick or treating or go to a Halloween party. But of course, there are much more insidious reasons one would be denied in childhood. If that's you, I'm truly sorry, for whatever you might've gone through. And for being denied something that brings such good times and joy. Of course, it's never too late. The wonderful thing about life is if you don't like the way something turned out, you can often superimpose something better on top of it. It may not undo the memories, but it might just give you something positive and fun to compete with them. And, after all, isn't that at its core the absolute purpose and mission statement of Halloween? That for a brief time, we can be something else, anything else, we want and really embrace reinventing ourselves, as simply, complexly, profoundly or superficially as our imaginations allow? Yes. Yes it is. And, of course, to get a little crazy, a little scared, find ourselves a sexy little devil to sidle up to our own little demon, socialize, entertain ourselves viewing the pageantry, and stuff as much damn candy as we can get down our gullets for a brief moment of excess and decadence? Yes again. Yes, this day, this month, this time of year, mean so many different things to me. Old traditions. New experiences that become old traditions. Memories. Rituals. Fun. And finding some good old-fashioned fog-swirled spookyness to make me jump back a little. Because that little imp finally snuck past you and got out again. Just around the next dark corner. And boy do they want a word with you...

Have a sweet for me, and a scream to wash it down with.

Until next time my ghosts and ghouls...

Sunday, September 16, 2012

Obituaries while you wait - cash only, no substitutions.

I'd thought it had only been a couple weeks at most since I last posted anything here. The calender, common sense, and/or simple math (any of these, really) would have told me different. Being a fan of the easy way out, I chose calender. I'm a fan of easy. I'm also a fan of following through, which is why I even cared when the last time I posted was at all, rather than just posting something new. There must be some comment in there about someone who likes things easy yet makes them unnecessarily complicated for someone more clever than me. Anyhow, as it does for everyone, good, bad, or ugly, life has moved on in the time this blog has not. Some "earth moving under my feet"-type stuff, some "ugh, not THIS again"-type stuff, and some good old "WHY am I getting up at this time of day to make someone else rich?!"-type stuff which inevitably leads to "why am I not following through with my life plan as I swore I would do??"-type cursing and self-"affirmations". I assure you, that last bit could fill an entire Encyclopedia Britannica sized-shelf with volumes and volumes about fate and the choices we make. But that's not why I'm here. That's a bit too "in-depth character study and analysis" for my liking, and I'm here to attempt to entertain as much as to reveal. I *said* attempt, stop rolling your eyes! Some of the names have been changed to protect the sinful and delicious, or tangy and bitter (as the case may be). Here, in performance and pantomime, is the tri-weekly update.

There's something vaguely sensual, I daresay erotic, about sitting in the waiting room of the surgical wing of a hospital. The sterile white decor with added "touches" like a running wall fountain, comfortable chairs, wifi, free snacks and coffee, people walking around in scrubs, and the quiet that comes with tension and seriousness. Actually, there's nothing sensual, erotic, or even very pleasant about the experience. If you were nodding your head at my initial statement and agreeing, I'm guessing you're here between trips to the various hardcore bdsm  and snuff sites you like to check regularly. It is obviously exponentially worse for whomever is at the business end of the scalpel as they are taking the risk of possible life. But hey, at least they get a nap out of it, right? This was my Thursday a few weeks ago. The waiting, not the scalping. Though the patient wasn't having life-threatening surgery, the plain fact is that everyone who is exposed to general anesthesia is entering a possible life-threatening situation. Nonetheless, life-threatening or not, the surgery I'm talking about is an excruciating one. It's being opened up to have your nose broken and then having your face scraped out with an instrument I'm guessing is straight out of the Dr.Giggles playbook. Following the surgery, patients can expect a horrific healing time which lasts for *two months*. If the patient is very tough, as is the one I'm talking about, then they'll be up on their feet the next day while in excruciating pain. If they're average, they;ll probably be comatose. Either way, whatever the person is able to do, pain will be an unavoidable part of it. While taking care of said patient in the days afterwards, I developed great appreciation for the intensity of the experience for her. The risk for me was none. I was an observer. But my emotions did get a workout, as I'm sure everyone who waits for someone they love while that person is being hacked up understands. It's not a pleasant state to be in, waiting for someone you met that morning who is in charge of the fate of the love of your life to come out and just tell you "everything went well." But it's a necessary one. Where else was I going to be but waiting for word. Relief washed over me when I heard those words. The hard part was over. Now, the hours and days of pain and discomfort which stretched out lay ahead. But I could deal with that. Knowing everything went well and I had my love back in (relatively) one piece was all that mattered. Pretty exciting stuff for a Thursday.

It's been a couple weeks of strange feelings. Just yesterday, our record label re-released our first album, I suppose as a "welcome to the family" gesture. Our other albums will be getting the same treatment over the successive months, and we're using this occasion to add extras to these editions which were not included the first time around. Things like unreleased tracks, remixes of released tracks, tracks which were recorded in the course of an album but left out, new artwork and liner notes, and who knows, maybe we'll get inventive and add some of the interview footage we filmed last year. If you're a fan of the band, I'm really grateful for you, and I'm really thrilled to be doing this project, for you but also the new fans. And that brings me to the strangeness of this particular situation. I say we're releasing "Prelude", our first album, but what I really mean is "our" first album. Why? Very simple, if you know anything about the band. For much of its existence, Era Nocturna has been a one-woman force. Dae, singer, composer, engineer extraordinaire, WAS Era Nocturna. There were early abortive attempts to incorporate the name as an actual band, but that's exactly what they were. Attempts. And after the inability to make that happen, Dae decided to continue on, by herself. And she did, for many years, and as a result produced a stunning body of work. But then, in 2008, the idea was broached again of making Era Nocturna into an actual band. A conversation happened between Dae and another musician. It was in 2008 that I was first approached by that musician, who I was working with at the time, to gauge my interest in possibly joining the band to help flesh it out. A little embarrassingly, I admit I really hadn't heard of Era Nocturna when I was originally asked. See, I was not a goth, knew almost nothing about the scene or the music. I was a metal kid. Raised on rock and metal, I spent most of my career thrashing out beats in literally dozens of bands. But at the time I was approached, I'd about reached the end of my tether in traditional bands, and was tiring of playing the music I'd been playing for a couple decades. I loved it as a listener, but playing it anymore, even just being in a band, was really losing its appeal for me, for many reasons. And as it happened, the band I was in at the time just so happened to be falling apart internally. Perfect. I was given a copy of "Lackluster" and told to get back to them when I'd made up my mind. I was calling the next day. I'd listened as soon as I got home, and was instantly a fan. I started writing up charts for the songs and listening a lot. But...........as so often happens with music, the timing wasn't right for the fruition of my joining Era Nocturna. It wasn't happening. I went on to immerse myself in more projects, including scoring a film, and Dae went on to release "Lackluster", and then take a bit of a break from the business of EN. But then, in 2010, the idea was broached again of making Era Nocturna into an actual band (...see what I did there?) It happened at an Alice Cooper/Rob Zombie concert. Dae turned to her friend and a bass player at a particularly bombastic moment and gave her marching orders - start learning my songs, because I'm getting this rolling. Like a ticker tape, I began seeing the status updates rolling by from Dae's Facebook page. Things like "rehearsal tonight. Sounding awesome." At this point, I'd been out of band life of any kind for two years. The only regret I'd had in those two years was that joining Era Nocturna hadn't worked. It was bad timing for all involved, and wasn't the right move. But that was in 2008. Looking at that in 2010, I knew it would work. I contacted Dae, who I hadn't spoken to for almost that entire two years, and broached the subject. It's been two years, and many, many gigs and lineup and personnel changes later, Dae and I are still here as Era Nocturna. In fact, here as Era Nocturna and in every other way two people can be "here." Somewhere along the way we fused and realized our chemistry in the band wasn't band chemistry, it was personal chemistry that extended to making music together and everything beyond. Which brings us to now, September 2012, where an earlier conversation about the re-release of "Prelude" gave way to a discussion about our upcoming plans for us and our friends this Halloween, which happened with us on couches 5 feet from each other in the apartment we share.I'm trying to think of a cute and tidy way to encapsulate what it's all meant to me, or what it means to me right now, but I can't. Love, adoration, fusion, psychic emanations. There's all of it. And all after breaking a rule I'd held and never even wavered on my entire life, the rule that you NEVER mix music, work, and intimate relationships. Why did I break it this time? Because after 25+ years of being in bands, I finally found someone worth breaking it for. And it was without any doubt the right move. Wow, somewhere in all of this I had a thread, and then meandered through this canal...I think talking about the surgery earlier brought me from talking about the band to talking about my relationship. But there is a thread...I see it! And the thread is the strange feeling I have surrounding the re-release of the back catalogue of albums. While I feel fully part of the band, no question, in some sense I also feel a duality, one which Dae, I assume, doesn't experience. That of the band member, and the fan. I am fully a member. I made it possible for us to play live, I made it possible for us to end our June show with an acoustic cover of "Right Where it Belongs", with Dae on vocals and myself on acoustic and vocals, I make 95% of the setlists you hear when you come see us. There are many other things I do as well. But it is a unique position to be in. I joined the band because I became a fan of the music. That's something that has only grown with time. And when we get to the point after our next album is released, Dae and I will be co-writing all future Era Nocturna albums. Yes, I'm a drummer, which is how people see me, but I'm also a songwriter, singer, and play multiple instruments.I fully understand where my public face lies in the context of the band. After more than a decade, I was brought in to help the band to transition to its next phase. And while I don't expect it to catch on for quite some time for anyone but those who know Dae and I personally that I do more than help bring the music to life for the live shows, I am itching for that transition to take place. I am loving my time in Era Nocturna as an integral part of the band's history from here on out. I love every minute of it. But it is a bit strange for me. Because I came in a decade on, to something that was fully formed and established. The songs in our live shows, and all the previous releases constitute Dae's efforts, her blood, sweat, and tears, her compositions and performance. So it leaves me in a very interesting place, which I reflect on at moments like this, with the re-release of "Prelude". I am pleased as a co-leader, and promoting accordingly, but I am also excited as a fan of music which I had nothing to do with. It's a very, very interesting situation, one that is completely unique in my 25-year career as a musician.

And the last thing I'll share from the last 3 weeks - because really how long does this fucking blog need to be?! - which has left me feeling a bit strange, is the public nature of grief I've seen dealing with a few specific incidents; not just in the last 3 weeks but the last few months. This is the one here that may be the line in the sand for some people, more likely than not people I know. You can be pissed, but remember something I said in another post - your opinion is yours, mine is mine.
Sadly, I've seen a few deaths over the last few months. None were of people I knew on more than a superficial "in passing" level. Now let me say first, everyone handles grief differently. And I certainly realize that while some of us keep it as a personal, private, and internal thing, others among us need to reach out, for comfort, for commiseration, for reassurance, and reflection. There is no judgment for those broad categories of the different types of grieving. I would never judge such a thing. No. Because the Devil, as they say, is in the details. Let's talk for a minute about how access has changed the game in terms of grieving. In this case, the access I'm talking about is social media. More specifically, Facebook. Now we all gripe about insubstantive posts, the nature of what people spend their time talking about, etc etc. We all do this while at some point being guilty of the very same thing. Fair enough. If humans are anything, we're self-righteous hypocrites. However, that feeling takes a turn into something a bit more substantial when it comes to the public grieving people seem to engage in on Facebook. Some days as I read through my newsfeed, it seems like everyone is in mourning for someone. But when you do a bit of digging, what you really tend to find, as often as not, are a couple different things.The first, and perhaps most disturbing, are those people who had a passing relationship with whomever has passed, yet are calling out for sympathy as if it was their own partner/parent/child/relative who died. These people seem to relish posting over and over again about their sadness at the person's passing, who at the same time had no real relationship with that person, but nonetheless love nothing more than to tell the one or two stories they have that show authenticity for their grief. You tend to find this with more "public" deaths, and especially for victims of homicide. I saw this unfold in several different instances this spring when a young local girl was heinously murdered by her partner, who was also the father of her children. The tragedy of this situation was almost instantly overshadowed by people clamoring to post about their connection to either person involved or their families. I had a tenuous connection to the case myself. I didn't talk about it of course, because I didn't really know either person or the situation. And why would so many people come forth to talk about such a horrible tragedy in an almost callous way? Because it's a relatively small local area. And for those who have lived here their entire lives, it's very likely that there is some connection to anyone else who has lived here their entire lives, no matter how tenuous. I ask, "AND?? What does that mean?" Can we please leave the actual grieving when someone passes to those who were actually affected? Take what I was just talking about. It was a horrible crime, and unfortunately both victim and perpetrator were young. By all accounts the girl who suffered was wonderful, and loved by many. Then can we look at this as the tragedy it is and leave the actual grieving and actual sympathy and actual attention to those who were truly affected? Aren't we just diluting the passing of a life by engaging in this kind of behavior? Is it too much to ask to just take a second and consider things?
Ahh, but there is also another type of griever, the type who did know the person who passed. And as such, they can't wait to share stories to show just how close they were. I swear, in the last few months watching some of these tragedies unfold, I've begun setting my watch by how quickly grief turns into super-grief, and remembrances become a way for people to cement their pride of place and level of importance in someone's life after they are gone, making sure everyone sees it and knows they are suffering. Seeing this phenomenon brings to mind some kind of weird, sick little contest in which everyone plays for the blue ribbon. I often ask myself, how is it you were so close to this person, experiencing so much grief, yet I never once heard you mention this person when they were alive? Why are you rewriting the relationship you had with them when you didn't have the time to call or see that person when you could've? Or, something I've seen more recently, why did it take them dying to make you finally realize how much you love them, instead of cheating on and betraying them when they were well, healthy, and there? Why do you claim to know them so well as you disrespect them by spouting out your Christian condolences of them being "an angel" and "in God's arms" when they were a committed Pagan, and certainly not Christian in any sense? This is all very harsh, and no doubt uncomfortable for some. And much more personal than I thought I'd ever get here. But I started thinking and opened my mouth and here it is. Let me just say, the wonderful thing about living where we do is that to express our disgust with someone's opinion, mine in this case, all we have to do is tune them out. If this is you, please do. Do not come at me aggressively and look to insult me, because this is my blog and I don't want to hear it. Take it somewhere else. I should make clear, I'm not bashing those who feel and experience real grief and have to share it for fear they might implode. And it's not to say some of us aren't deeply affected when someone, even someone we don't know very well, dies. There's nothing at all wrong with that and I always feel for people who are feeling loss. The people I'm talking about here are of different stock. They look at a terrible situation and find a way for it to bring them something they lack in other areas of their life. Attention, love, compassion, caring. I have no problem with finding these and bringing them into our lives. But to do so on the back of a life which is now over, there's something very, very wrong with that...

I've gone on so long for such a simple topic (taking a few weeks away) that I don't even know how to end it! Haha This started and ended in meandering fashion. I could feel weird about that, but how many others do this in equally public fashion? Isn't the point of blogging to a. write, and b. share? Clearly I've accomplished both of these things. And in future, I doubt things will be quite so long or serious. Meandering I can't do much about. My brain is wired the way it is, and I was never given any instruction manual or specs. So, come on back, and I promise we'll get back to the fun and entertainment! I feel a few things marinating upstairs that are just about ready to come out. Halloween, more music & favorites, and some other fun subjects are all coming.up in the next few days. But good lord, not tonight :-) Cheers for now...

Sunday, August 26, 2012

The Akashik Record has gone viral

Sub-title: 2005 washed over me and I time-travelled. Not with a phone booth, but a mouse and laptop

I did a weird thing last night. Let me rephrase that. Last night, I was scouting around the internet for pictures and things to add to my new Facebook page, and I ended up logging into my Myspace account because I knew I had some pictures on there that've been lost everywhere else. Like everybody nowadays, I hadn't even thought of that profile for at least 2 years which is long enough in real-world time. But in internet time this equates roughly to the process of star death. After getting what I was after, I wiped some of the dust off of things and decided to poke around a little, which landed me squarely in an archive of messages dating back 7 years. 7 years...let's think about that. For some people, possibly more solid folks than I am, 7 years doesn't mean much. Changes in wardrobe or style, possibly car. For me though, 7 years ago is an entire lifetime. I do this, have done this, multiple times. I can look back in increments of years over the course of my life and say that literally, my life has completely changed multiple times. Obviously I'm still me. My parents are still my parents, I'll always have grown up in the same place, etc etc. But other than the physically unchangeable facts of my life, I can say with absolute certainty that in the last 20 years, back to when I really started to exert my independence and stretch my legs out in the world, I've entirely changed my life at least 5 times. Maybe I have no real sense of how normal this is, and in fact it's something that happens to everyone. But for me, going through that glut of messages dating back to 2005, it got my head cocking to the side, my eyes widening a little to think about the many changes that have occurred in my life. Maybe the thing that seems so odd about it to me is not that things have changed for me, but how precisely everything seemed the change in these phases at exactly the same time. It's what makes me think of these things in terms of entire little lives lived in the course of one big life.I think specifics would be good here. For example, just 2 years ago, in 2010, I can look back on my last "life" which occurred before this one. I had a. a different band b. a girlfriend I haven't talked to since we broke up that summer c. an entirely different set of friends save for 2 stalwarts who're part of those "physical unchangeable facts" and are always there through all phases d. I was not in school yet for my psyche degree e. I had an entirely different set of goals and aspirations f. I was still using Myspace, and didn't even attempt my first Facebook page until later that year g. I drove a different car
There's more I could put, but you get the idea. Even my personality and look were a bit different. And all of these things more or less changed simultaneous with the end of the previous "life" before 2010. And that life ended at the end of 2010 and an entire new life began for me. And this has happened repeatedly throughout my life. Why? I have my suspicions. Personal insights. But whereas I used to think about this a lot, I really don't much anymore. These things happened. I learned what I needed to learn from these other "lives" and took what I needed and moved on to the next. I'm not shallow. I've cared greatly for the people, things, and experiences of these other "lives", Sometimes, you just outgrow them, or they can outgrow you. So getting an unexpected look back last night, at conversations with old band members, old girlfriends (through the entire  beginning, middle, and awful, painful end in one case), old friends, even old events I planned or attended, and bands I was obsessive about at the time, I thought about these lives I've lived, for better or worse. This "life", the one I'm living now, is the best one yet. That's not a re-writing of history. I haven't always insisted I was living the best life I could be living. Sometimes I thought things were good and I was ok with them, sometimes I was settling and knew it, and sometimes I fought to evolve. But this life...this is what I've always been fighting for. This is the life, these are the people, the music, the environment, the everything, that I've wanted all along but didn't know the specifics.And the best part is, I absolutely know it.

"Summer's going fast, nights getting colder
 children growing up, old friends getting older.
 Freeze this moment a little bit longer,
 make each impression a little bit stronger"...
                                                                    ~ Neil Peart, "Time Stand Still"

Saturday, August 25, 2012

My favorites - part 1

I just finished High Fidelity again for the trillionth time, and a funny thing happened somewhere in the last quarter. A Doc Marten-ed foot attached to a  denim-ed leg came right out of the book and kicked me in the side of the head, and when I dropped it, it fell to the floor on its cover, it opened into a mouth. Then it started yelling at me which was weird. Ok weirder. But it was yelling at me in a British accent, which is cool. "So, you just started this blog, linked to your facebook page about music, and you haven't written a single word about your favorite music?! No 'favorite' or 'best of' lists?!! TOSSER! You're not fit to call yourself a musician!!" A couple things here. The book was written in 1995, but I imagine Rob and his mates would evolve with the times. I imagine Dick and Barry would have snobby blogs about the best music there is which you've likely never heard of, and how painfully stupid you are if you haven't (in Barry's case). And yes, Rob is John Cusack in the movie, and Marie LaSalle is Lisa Bonet, and Charlie is Katherine Zeta-Jones, and Laura is blonde. The casting is near-perfect. But the book takes place in England, Marie LaSalle is white with blonde hair, and Charlie has short blonde hair, and Laura has brown hair. Anyway, this weird hallucination led me here, to my multiple lists of favorite music. It's pretty long, as you might expect, and covers multiple genres. No breaking off into sub-genres or numbering, except in a few cases here or there where I may note something gets the #1 spot. Not all genres are covered, only a few. And I did the tacky thing of throwing opera and classical/neo-/post-classical into the same list. My theory and percussion professors would kill me if they knew, and if they could find me almost a decade later. Some titles have notes, some don't. These are my favorites, not yours, and they're probably not the same as yours. I take music seriously, but what's good is all opinion. Here it is.

The 5 Things In My Car Stereo This Week
 Figured I'd start with something easy. Here are the discs that make up my driving soundtrack lately.

"American Songbook Vol.1" mix cd, made by me
You'd think this was full of standards and classics of American music. It's not. It's things that feel or sound decidedly American to me and are classics in my mind, even when they're new. Not every important thing is covered here obviously, but it's for me to listen to and enjoy, so who cares?
Tracks:
1. A Map of the World" - Pat Metheny
2. Alice - Tom Waits - First/title track from his concept album about, yes, Alice's Adventures in Wonderland. More about this record in another list.
3. Jolene - Dolly Parton
4. Hellhound On My Trail - Robert Johnson
5. Strange Fruit - Cassandra Wilson - I really like this version. If anyone were to cover it, she's got the perfect voice. And the arrangement reflects the lyrics really well. I think I've listened to that live version of the original so many times I wanted something a little different.
6.  Lost Highway - Hank Williams
7. Christmas Card From a Hooker in Minneapolis - Tom Waits - if this song doesn't make you feel something, I don't know about you.
8. Willow Weep for Me - Billie Holiday
9. New York, New York - Ryan Adams  - no it's not a Sinatra cover. That's not a slight on you, it's a slight on me because that's what I thought when I got this album lol
10. Release the Stars - Rufus Wainwright - a modern torch singer, he reminds me a lot of Tom Waits. Of course the voice is very different, but the feel, the style, is similar. I like them for similar reasons.
11. I Left My Heart in San Francisco (live) - Tony Bennet - in just over 2 minutes, this guy tells you everything about himself. Sometimes quiet, introspective, and wistful, sometimes rafter-shaking powerful and aggressively grabbing onto what he loves, and a million other moods and facets pass from his lips to yours in the time it takes to make a cup of coffee. And he leaves you feeling like he's singing to you and no one else.
12. Big River - Johnny Cash
13. Steady As She Goes - The Raconteurs - I love, love, love the hook in this song, and I always love listening to Jack White's voice, and his songs. Because, let's face it, this is his project, start to finish.
14. Death Letter (live) - Cassandra Wilson - another cover, this time Son House. I really couldn't get enough of this when I first heard it.Seriously, I listened to it over and over again.
14. Ruby (Don't Take Your Love to Town) - Kenny Rogers - the thing I love so much about country music is in this song. You stop, and you think, and then you go "wooooah". Simple lyrics, I suppose, but dark. And not the kind of dark that's all ghosts or serial killers or something. It's that idea of the "dark night of the soul". It's about humanity, and just how terrible it can be sometimes.
15. Your Cheatin' Heart - Hank Williams - take my last comments and superimpose them here, and after "Lost Highway". What adds that extra edge, that acknowledgment of the chasm of melancholy at our feet, is that most of Hank's songs are auto-biographical. Damn.
16. Girl From the North Country - Johnny Cash & Bob Dylan
17. Answering Bell - Ryan Adams
18. Seven Nation Army - The White Stripes
This American Life
 - "Scenes From a Recession" (episode 399, I think?) - I love this show, and when I get tired of listening to music, and I don't have a good audiobook handy, I go to the podcasts of this show. Every week there's a theme, and a really interesting take on that theme, with 3-4 stories related to it each week. You can download podcasts for free on Itunes, and I believe from their website.
Shooter Jennings & Hierophant - "Black Ribbons" - more on this under "favorite concept albums".
Kurt Vonnegut - A Man Without a Country (audiobook) 
Black Crowes - Amorica

My Top Metal Albums
You'll notice here that I'm very much old-school. Not at all to say I don't like anything else. I love some of the newer stuff, by which I mean things released in the last 10-15 years haha (not really up on the new, new stuff, though I should really fix that. Help?), it's just that my formative years were spent listening to metal and classic rock, so those are the albums that feature prominently here.

Ozzy - "Diary of a Madman"
         - "Bl'izzard of Oz"
         - "No Rest for the Wicked"
         - "Tribute"
         - "Speak of the Devil"
         - "The Ultimate Sin"
         - "No More Tears"
         - "Live & Loud"
Slayer - "Reign In Blood"
          - "Decade of Aggression"
          - "Seasons in the Abyss"
          - "South of Heaven"
"Rust in Peace" - Megadeth
"Spiritual Healing" - Death
"Pierced from Within" - Suffocation
"Ghost Reveries" - Opeth
"Aenima" - Tool
Metallica -"Ride the Lightning"
                "Master of Puppets"
                "...And Justice for All"  
"Practice What You Preach" - Testament
"Necrotism - Descanting the Insalubrious" - Carcass
"Humanure" - Cattle Decapitation
 "La Sexorcisto: Devil Music, Vol.1" - White Zombie
Cradle of Filth - "Dusk...and Her Embrace"
                         "Cruelty and the Beast"
                         "Damnation and a Day"
                         "Live Bait for the Dead"
"Alive or Just Breathing" - Killswitch Engage
Black Sabbath - s/t
                       - "Paranoid"
                       - "Master of Reality"
                       - "Vol. 4"
                       - "Sabbath Bloody Sabbath"
                       - "Sabotage"
                       - "Technical Ecstasy"
                       - "Never Say Die"
Pantera - "Cowboys from Hell"
             - "Vulgar Display of Power"
             - "Far Beyond Driven"
             - "The Great Southern Trendkill"
             - "Live: 101 Proof"
"Leviathan" - Mastodon
"Operation: Mindcrime" - Queensryche  - more about this under my top concept albums

I'm going to stop here. Because I could go on, and on, and on, and on. I reserve the right to add to it later as I'm sure I've missed some glaring examples of albums that are or were incredibly important to me. But when you're doing a list from memory, and you've been listening to music seriously for almost 3 decades, who can remember every single thing?

My Top Jazz Albums

1. "A Love Supreme" - John Coltrane Quartet - this is my number one of all-time. Arguments can be made but frankly I don't care what they are. This is the album I come back to over and over, the one that broke my ears open in one of the most profound ways I've ever experienced and my life would be different without it. Not metaphorically. My life would literally be different if a very wise and incredible old friend hadn't introduced me to this many years ago. It changed everything. My life would be sadder, more miserable, less had I never heard it. Again, literally. I'm not going to bother to describe what it means to me, or even the music itself. I can't.
"Kind of Blue" - Miles Davis
John Coltrane - and now for the rest:
                      - "Giant Steps"
                      - "My Favorite Things"
                      - "Blue Train"
                      - "Africa/Brass"
"Mingus Ah-um" - Charles Mingus
"Out to Lunch" - Eric Dolphy
"Anatomy of a Murder" - Duke Ellington
"Blues and the Abstract Truth" - Oliver Nelson
"The Art of the Trio, volume III - Songs" - Brad Mehldau
"The Art of the Trio, volume IV - Back at the Village Vanguard" - Brad Mehldau
"Underground" - Thelonious Monk
"Sun Song" - Sun Ra


Considering how very long this has taken me to get just this far, I've decided to stop the insanity for today, make this a multi-part series of posts, publish this one, and come back to it. Hope you're enjoying so far. Cheers. 
           




Thursday, August 23, 2012

P.s.-

All that thinking about my favorite show pushed my little blog-related footnote right out of my head. For the rare clever reader familiar enough with Millennium, the title of this blog (hopefully) provided a little chuckle. If not, it's a little play on words of an episode title, season 2 episode 21, "Somehow Satan Got Behind Me." One of the rare funny episodes, it details the woes of four demons gathered in a coffee shop swapping stories about their mischievous exploits, realizing Frank Black makes an appearance in every one. One of my favorites.

Millennium


My favorite, and in my opinion the best, tv show of all time. While I enjoy Chris Carter's previous outing, the insanely successful X-Files, it never held me. I'm not here to debate merits with anyone, nor go favorite vs favorite. I have my opinion, and you have yours. And my opinion is that this was perhaps the most well-written, intriguing premise for a television show. While the previously-mentioned X-Files was always very enjoyable for me, Millennium had the lasting get-under-your-skin quality that the X-Files didn't. The X-Files was intriguing with interesting story lines, partly serious and partly funny with David Duchovney's Mulder the comic foil to Gilian Anderson's Skully. Millennium has none of that. Granted, there were humorous moments, but they were brief, and served mainly to break the spell of sinister dread imprinted within each episode. Achieving a cult following in the decade-plus since the show was canceled by Fox, the show is scripture to those who love it, and largely ignored in the canon of television history. For those unfamiliar, the show (in brief) follows retired FBI profiler Frank Black, played flawlessly by Lance Henriksen, as he moves his family back to Seattle after his tenure as the bureau's foremost expert on forensic profiling pushed him to complete mental breakdown, costing him his sanity and very nearly his life. Settling in, Frank is looking for work and is invited to join the Millennium Group, a cadre of retired law enforcement officers who consult with active law enforcement on the worst of the worst, serial offender crimes, usually those law enforcement is unable to crack. Long before even CSI was a staple of television, Millennium blazed a trail as the first network series about FBI profiling, and the dark world these men and women inhabit everyday. Unlike all its progeny, however, Millennium is not glossy or neat. Explanations are just as often left out as given, and most unlike all the followers that came later, Henriksen's portrayal of Black is never simply "all in a day's work". Each and every case takes its toll on Frank in very clear and unambiguous terms. He cares for the victims deeply, and sees the madness he is surrounded by as a portend of the evil chasm yawning ever-wider at our feet. Arguments can (and are) made in favor of, or against, the second and third seasons, which add a more expansive story arc threaded throughout. But that's really beside the point. As must be obvious by now, I could go on and on about my love of this show and every aspect of it. For my money, there has never been a more well-written or interesting television than this one.  

Era Nocturna - drum solo (rehearsal take)


One more shamelessly self-promoting video for today. Here's one that was taken last year, It's been posted on youtube and my facebook page, so I figured why not post it here, Since our first show, the middle of our set is usually set aside for me to do my "thing", a few minutes for me to let loose and have a little fun. Don't have any video of me doing this AT a show, but here's one taken at rehearsal. My solo has evolved quite a bit over the last year, but I still like this one.

Era Nocturna


"Happily Never After"  - 6/2/12

Era Nocturna


Era Nocturna live at "Halloween in June", Pittsfield, MA 6/2/12

Dae Noctem - Vocals

Shaun Sloat - Drums/ percussion

Brian Markelonis - Bass

The First Cut Is the Deepest

I'm not much of a blogger. Let that be my "hi, how are you?" Several ill-fated experiments and half-rotted corpses litter the ether of the scattered matrix, those which have been archived, (but isn't it safe to say everything is archived at this point, dear reader?) those that were never finished or (more accurately) started, never to become what they could or should have, those which rumbled to dust in the sunbeam of public scrutiny, as Christopher Lee in "Horror of Dracula." I've always been a writer (small w). Haven't we all - both in the sense of actually using an instrument to scratch symbols onto a medium and in the more self-satisfying sense that we put things "out there" through boxes small or large that are right here in front of us, hoping someone, many ones, read, enjoy, redistribute - always been writers? That fact notwithstanding, I find myself wanting this, a forum for paradoxically superficial anonymity and superficial intimacy. To rant and dribble, introspect, reflect and genuflect. To talk about my favorite things and decidedly unfavorite things. To post about music, movies, books, and my own artistic leanings, projects and the like. There is absolutely nothing different about this blog. The desire we all have to be set apart positively as internet writers is a farce, the Holy eGrail, if you will. Even uniqueness has become structured here, because it is a medium to bring you in to someone for whom you are still removed by 1. But that's ok. The trade-off is that perhaps by all of us sharing, we effect a different kind of uniqueness, the kind which naturally evolves out of such a large community. Unless this were a cult. But then we wouldn't know the difference anyhow. At least that's what they told us in that movie. Ok ok, without getting too blowhardy - and we all know it's far, far too late for  that, which may be something we'll all just have to get used to here - let me take it down to twitterspeak format. This is my blog. In it I share and expound, on music, movies, miscellany....miscellany...er, ok,  the m words for this cute little sentence have deserted me...and such. Who knows. Sometimes there will be more, sometimes less. I've bitched enough about people losing true communication in social media without actually putting myself out there that even I can't deny I'm being a hypocrite. Perhaps it's the derision that stems from fear. Also, there will possibly be tidbits related to nothing at all. Certainly there will be lots about my favorite band - the one I'm in - as well as talk about other projects I "do". Why? Because I have lots to say, and Hell, trying it on again, blogging is fun. So, now that I've finished that last sentence, it appears my "blog introduction post" muse has left my side (I have very specific purpose-driven muses; don't ask) indicating a sign off is next. Come back again, won't you? If you do, I will. Deal.